This season bass-baritone
Keith Miller made his role and house debut as Figaro in Le
Nozze di Figaro at the Florida Grand Opera, and returned to both the
Metropolitan Opera and the Portland Opera for Monterone in Rigoletto,
and
to the Met again for the Bonze in Madama Butterfly. Next season, Mr. Miller
will continue to develop his relationship with the Met when he appears in their
new productions of Carmen, Armida, and Tosca.
A recent graduate of the
Academy of Vocal Arts, Mr. Miller appeared there as Leporello and Masetto in Don
Giovanni,
Dulcamara in L'elisir d'amore, Don Alfonso in Cosi
fan tutte,
Sarastro in Die Zauberflöte, and Figaro in Le
nozze di Figaro. Other past opera engagements include roles in Madama
Butterfly, War and Peace, Ernani, Macbeth, Faust,
Rigoletto, Eugene Onegin, Andrea Chenier, and Gianni
Schicchi
at the Metropolitan Opera; the Bonze and Ramphis and in Aida
at
the Portland Opera, Leporello, Monterone and Sparafucile in Rigoletto
and
Don Basilio in Il barbiere di Siviglia with the Crested Butte
Music Festival; Alidoro in La cenerentola with the Fargo-Moorhead
Opera, the Bonze with Emerald City Opera, Colline in La
Bohème
with the Pouhgkeepsie Opera, and Don Alfonso with Oberlin in Italy.
In concert, Mr. Miller's
recent engagements include Beethoven's Missa Solemnis with the Fanshawe Chorus
London in Ontario, Colline in a concert version of La
Bohème
with the Rockford Symphony, and Handel's Messiah
with
the Chamber Opera of Philadelphia.
Before pursing his career
as singer, Mr. Miller played professional football for 5 years and had the
honor of being an Olympic Torch Bearer for the 1996 Games in Atlanta.









